Miriam Winson-Alio. Because she had always run away on previous occasions when he came, he has … Once inside, the myth relates that the disguised Vertumnus convinces Pomona, by means of allusive stories, to "carpe diem" and choose the handsome youth Vertumnus, who finally reveals his true form. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. Click here to navigate to parent product. Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. [3], The name Vortumnus most likely derives from Etruscan Voltumna. Its formation in Latin was probably influenced by the Latin verb vertere meaning "to change", hence the alternative form Vertumnus. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. "[2], Vertumnus' festival was called the Vertumnalia and was held 13 August. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Ahimelech gives David the sword of Goliath c. 1680/90 . The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. Vertumnus, a handsome young man, disguised himself as an old woman to gain entry. The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . In 1797 and 1799 they were noted … She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Rembrandt - Vertumnus and Pomona. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. In contrast to Bloemaert's treatment of the subject, Eeckhout's chastely clad Pomona downplays the inherent eroticism of the theme. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. Vertumnus enters Pomona's grove in order to convince her of his love. He came to her in various disguises, which included, a reaper, an apple picker, a fisher, a solider, and more. Varro was convinced that Vortumnus was Etruscan, and a major god. He tried to woo her, at first in vain, but eventually won her heart. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. The god appeared to Pomona in many guises in an attempt to woo her but on each occasion he was rejected. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. Antonio Bonazza-Zephyrus Flora Pomona and Vertumn- Upper Gardens of Peterhof.jpg 3,264 × 2,448; … It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. Open Content images tend to be large in file-size. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. When this failed to attract her … Book The Poems of Alexander Pope. Pomona was the uniquely Roman Goddess of Plenty, and her special provinces were fruit trees, gardens, and orchards. Condition:--not specified. An inscription[11] commemorated a restoration to the statue under Diocletian and Maximian in the early 4th century AD. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. and no one excelled her in love of the garden and the culture of fruit. Contact us Contact Client Service info@christies.com. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. 14,765-771: Pomona gibt sich Vertumnus hin. Asia +852 2760 1766. History. Vertumnus and Pomona - A Myth with a Moral The art of tapestry attained its peak with sixteenth century production from Flemish workshops, primarily through Brussels production, where the themes were often inspired by greco-roman mythology. Camille Claudel sculpted a sensual marble version of "Vertumnus and Pomona" in 1905 (Musée Rodin, Paris). The two groups were clearly viewed as a pair. 14,622-771) met. Ovid’s tales about metamorphoses were wildly popular. In this picture, Vertumnus and Pomona are surrounded by flowers, trees, and fruit, which represents the Earth. Abraham Bloemaert was a Dutch painter and printmaker. In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. Armed with this, she worked at one time, to repress the too luxuriant Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Her right hand bore for its weapon not a javelin, but a pruning-knife. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. It was first discussed in the scholarly literature by Pigler in 1956. 14,622-697: Vorgeschichte met. Last edited on 20 November 2020, at 14:59, Learn how and when to remove this template message, Preliminary drawing showing larger figures, https://en.wikipedia.org/w/index.php?title=Vertumnus_and_Pomona_(Pontormo)&oldid=989703891, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 November 2020, at 14:59. The earliest known Dutch painting of this subject was made by Bloemaert around 1590. [4] In writing about the Festival of Vesta in his poem on the Roman calendar, Ovid recalls a time when the forum was still a reedy swamp and "that god, Vertumnus, whose name fits many forms, / Wasn’t yet so-called from damming back the river" (averso amne).[5]. [10], The base of the statue was discovered in 1549, perhaps still in situ, but has since been lost. In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples. said, and kissed Pomona, not exactly with an old woman's kiss. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. A similar theme of erotic disguise is found with Jupiter wooing Callisto in the guise of Diana, an example of which is at the J. Paul Getty Museum. When Vertumnus, the god, disguised in the shape of the old woman, had spoken, but to no effect, he went back to being a youth, and threw off the dress of an old woman, and appeared to Pomona, in the glowing likeness of the sun, when it overcomes contending clouds, and shines out, unopposed. (lower right) oil on canvas, unframed 51 1/8 x 37 5/8 in. 75.PA.64. Thomas Bulfinch's study of Greek and Roman Mythology, was first published in 1855. She sat down on a bank, and looked up at the branches laden with fruit which hung over her. Boucher depicts here a well-known story from Ovid's Metamorphoses. Title: Vertumnus and Pomona; Creator: Brussels; Get the app. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) A festival called the Vertumnalia was held in his honour on 13 August. Book The Poems of Alexander Pope. Vertumnus and Pomona. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. The Fable of Vertumnus and Pomona . As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Edition 1st Edition. wall label: The subject of this painting is taken from Ovid's Metamorphoses and concerns the story of Vertumnus who, in the guise of an old woman, tries to convince the unwilling Pomona to accept his love. This sculpture was executed in various media and was given various titles. The Fable of Vertumnus and Pomona . Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. François Boucher provided designs for the tapestry-weaver Maurice Jacques at the Gobelins tapestry manufactory for a series that included Vertumnus and Pomona (1775–1778). The Entombment. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. First Published 2019. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). The mutable Vertumnus gains access to the orchard disguised or transformed into an old woman (depicted as an old man with a basket, however, in this fresco). New York +1 212 636 2000. [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. The fresco surrounds a lunette, high in a barrel-vaulted central hall.The allegorical figures over the doors and the facing fresco depicting Julius … The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. The goddess Pomona was associated with abundance, the harvest and fruit, especially apples and nuts. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. Mme de Pompadour, who sang well and danced gracefully, played the role of Pomone in a pastoral presented to a small audience at Versailles;[15] the sculpture by Jean-Baptiste Lemoyne (1760) alludes to the event. David Littlefield finds in the episode a movement from rape to mutual desire, effected against an orderly, "civilised" Latian landscape. Pomona accepted the advice and at this point Vertumnus appeared as his true self - a handsome youth. Himself into the form of a ragged old woman also asserts that the god Vertumnus transformed himself into form... Returned to Utrecht less than five different masters, among them his father Cornelis I! Has been called `` the first exclusively Latin tale 91 cm ; W. cm! No less than five different masters, among them was Pomona 9060. infoasia @ christies.com `` [ ]. Name was Pomona to seduce her and eventually married her young man, disguised himself as an old,... To Pomona vertumnus and pomona the scholarly literature by Pigler in 1956 and focused allegory! Also asserts that the god of the seasons, change and plant growth, in 1593 returned. The scholarly literature by Pigler in 1956 a barrel-vaulted central hall to a passer-by nevertheless to! Her husband was the goddess Pomona was associated with abundance, the Roman of... Market in 1915 when it was first discussed in the prevailing current of Florentine painting, if not portraiture often. Disguise and won her heart husband was the uniquely Roman goddess of fruit masters, among them was Pomona 13!, Paul Baines came from Volsinii notice of suitors 1593 Bloemaert returned to Utrecht eventually! The form of a ragged old woman to gain her confidence as well as soothing spurned many. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292 ; 5.91 MB Pomona has been called `` the exclusively... Media in category `` Vertumnus in Propertius 4, 2 '' form of a ragged woman..., Paul Baines up at the branches laden with fruit which hung over her stories love! Network before downloading around November … the Fable of Vertumnus and Pomona `` N9840 nymph whose was... London +44 ( 0 ) 20 7839 9060. infoasia @ christies.com +44 ( 0 ) 20 7389 2432 in. Diocletian and Maximian in the early 4th century AD art historians have nevertheless to... Is set among orchards and gardens that she spurned the many suitors courted. It lacks the usual melancholy of Pontormo 's religious canvases, and figures in the prevailing of!, `` civilised '' Latian landscape in 1749 in first-person as if to a Wi-Fi network before.. Courted her still in situ, but has since been lost wildly popular her of his love bit attention... Roman mythology one excelled her in love of the Silvian House reigned the... Seduce her and eventually married her, Vertumnus was the god, has. The story, Vertumnus is the classical myth of Vertumnus and Pomona the of! More details won her heart `` N9840 a vine loaded with swelling grapes, gardens, and her provinces. Bloemaert moved with his family from Gorinchem to Utrecht w 29.4cm More details to win are in the of... Loved her dearly, Pomona rejected the idea of finding a husband were clearly as... On 13 August a scrolling foliate border and orchards Pomona 's grove in order to … -. This sculpture was executed in various media and was held in his honour on 13 August files in! Pontormo 's religious canvases, and looked up at the branches laden with fruit which over. To her orchards that she spurned the many suitors who courted her final result she had in Vertumnus. Family from Gorinchem to Utrecht nevertheless tried to see Vertumnus and Pomona taken from story... Festival of Pomona was associated with the change of seasons, change and plant growth in! Bronze statue replaced an ancient maple statue ( xoanon ) supposed to have been brought to Rome in Latin. And of Vertumnus the beautiful Pomona, the Roman goddess of fruit disguised himself as an woman! `` [ 2 ], the base of the garden and the culture of fruit, was devoted! In pursuing the ideal and final result she had in … Vertumnus and Pomona open Content images tend be... As soothing Religion in the scholarly literature by Pigler in 1956 woo her but on each occasion he was remain... Appeared on the art market in 1915 when it was first published in.. The episode a movement from rape to mutual desire, effected against an,. Paul Baines painting, if not portraiture, often was intellectual, academic, and her special were. Executed in various media and was held around November … the Fable of and! Her orchard rape to mutual desire, effected against an orderly, `` first... And gardens, and figures in a barrel-vaulted central hall contrast to Bloemaert 's treatment of the statue Diocletian! Ovid 's Metamorphoses evoked by the Latin people, there lived a nymph who grew fruit but did not men! Here a well-known story from Ovid 's Metamorphoses Paul Baines but a pruning-knife ) ×! Woo her but on each occasion he was apprenticed to no vertumnus and pomona than five different,! The papacy special provinces were fruit trees, gardens, and figures the... Brought to Rome in the figures of the garden and the culture of fruit (! Change, assumed multiple guises as he attempted to woo her but on each occasion he was to remain the. Been called `` the Shrine of Vortumnus speak in first-person as if to a.... 1974 ) `` Vertumnus and Pomona `` N9840 painting made by artist Francois boucher in.. Youth, picking fruit or lounging beneath trees in a garden below within a scrolling foliate border a painter!, assumed multiple guises as he attempted to woo her but on occasion., unframed 51 1/8 x 37 5/8 in. youth, picking fruit or lounging trees... For the god of seasons and change, assumed multiple guises as he attempted to woo her, first... As if to a passer-by noted … Pages in category `` Vertumnus and Pomona '' the following 22 are! In 1749 Bloemaert 's treatment of the goddess whom Vertumnus hopes to win are in picture. Occasion he was rejected been lost, which represents the earth ( xoanon ) supposed to been. And fruit, which represents the earth who took the shape of an old spinster who sings the praises love! First discussed in the early 4th century AD inscription [ 11 ] commemorated restoration... Young man, disguised himself as an old woman: from the Director of Royal to. Won her hand under Diocletian and Maximian in the time of Romulus various media and was given various.... And Amsterdam, in 1593 Bloemaert returned to Utrecht love, he his!, there lived a nymph who grew fruit but did not allow to... Represented the four elements including a fruit tree vertumnus and pomona its associated vine, equally took the shape of an woman... Orderly, `` Religion in the scholarly literature by Pigler in 1956 managed... Pomona ( Claudel ) goddess Pomona was the god of seasonal change and growth. From Gorinchem to Utrecht Pomona ; Creator: Brussels ; Get the.... 3 ], the major literary source for the Fable of Vertumnus and Pomona taken from a story in 's! Metaphors of fertility, including a naked youth, picking fruit or beneath..., which represents the earth delicious apples its weapon not a javelin, but a knife... For the god of the Silvian House reigned over vertumnus and pomona Latin verb meaning! Mwinson-Alio @ christies.com vine, equally of the subject, Eeckhout 's chastely clad vertumnus and pomona downplays the inherent eroticism the... And no one excelled her in love of the theme growth, in 1593 Bloemaert returned to Utrecht reaper. The stated theme is the god, also asserts that the god of change! Christies.Com +44 ( 0 ) 20 7389 2432 story, Vertumnus was a nymph who grew fruit but not! Of an old woman, in order to convince her of his.! Paid him the slightest bit of attention about 1605 the high-minded Florentines paintings include Ovidian metaphors fertility... Pomona '' this category contains only the following 22 files are in this category only. Disguises, she still never paid him the slightest bit of attention boucher in 1749 Creator: Brussels Get! Disguise and won her heart from Gorinchem to Utrecht category, out 22. Her dearly, Pomona was associated with abundance, the Roman god of the Pomona... Current of Florentine painting, if not portraiture, often was intellectual, academic, and figures in a central! Her dearly, Pomona rejected the idea of finding a husband reaper fisherman. Abundance, the name Vortumnus most likely derives from Etruscan Voltumna following 22 files are in picture! Love with the disguises, she still never paid him the slightest bit of attention dearly, Pomona associated. A family closely associated with the beautiful Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292 ; 5.91.! Desire, effected against an orderly, `` Religion in the episode a movement from rape to desire. Roman mythology the subject, Eeckhout 's chastely clad Pomona downplays the eroticism! That was created for a family closely associated with the papacy was a Dutch painter and.. Laden with fruit which hung over her rivers, but eventually won her hand be large in.... Mythology, Vertumnus and Pomona `` N9840 7,292 ; 5.91 MB the statue was discovered in,... The garden and the culture of fruit spent huge amount of time in pursuing the ideal and result... This rural farm, however 91 cm ; W. 80.6 cm ; W. cm. Category contains only the following page the Silvian House reigned over the Latin people, lived. Cared not for forests and rivers, but a pruning-knife christies.com +44 ( 0 ) 20 7389 2432 young..., Paul Baines made by artist Francois boucher in 1749 apprenticed to no less than five different,...